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Try working with 6000-10000 images from d850 in bridge or lightroom, its a nightmare.
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But when it actually comes to rendering, working, using presets, outputing multiple images into any other formats and e.t.c. Importing images is the same, it depends on many other aspects than just software. I find C1P so much faster than any Adobe program when working with bulks of images. I dont know what you are talking about guys. What steps have you taken to make your workflow as efficient as possible? Are you as ruthless as Illman when it comes to culling images? Leave your thoughts in the comments below. Some shooters will be horrified at the prospect of not going through every single image in close detail, but when volume and speed are the priorities, the processes change accordingly.Īlso critical is the work that Illman has put into setting up Lightroom so that much of his work is automatic: presets are absolutely critical, both for editing the images and for exporting them.
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He has a workflow that makes good use of a piece of software called Photo Mechanic, which allows him to be brutal when it comes to choosing which images to import into Lightroom. In this short video, experienced Formula 1 shooter Kym Illman takes you through his processes for taking a vast number of images, culling, editing, adding keywords, and submitting them to his clients, as well as quickly publishing to Instagram. But how do you manage that volume of photos, and what can you do with your workflow to make it as fast and efficient as possible? Events shooters can generate thousands of images in a very short space of time.